Monna Lisa What Elements of Art Does the Mona Lisa Have
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The Mona Lisa.
Leonardo da Vinci's enigmatic masterpiece.
Leonardo da Vinci's Mona Lisa is undoubtedly the globe's almost recognised painting, it is also the nearly famous portrait in the earth. Existence the nearly famous does non imply that it is the best but certainly it is a masterpiece of outstanding quality.
So much has been written about Leonardo's stunning portrait that the story of the painting has become mired in a mix of fact, speculation, and pure fantasy making it difficult for many to evaluate the work considerately.
We have become familiar with the prototype on postcards, advertisements, and copies in various forms, some are faithful reproductions, others are non. I have even seen a dog's head superimposed on the painting and the epitome is so well known that information technology is instantly recognisable, even later on such distortions.
The identity of the sitter has also been questioned although it is generally accustomed that Lisa Gherardini, the married woman of the Florentine silk merchant Francesco del Giocondo is the subject of the painting it is by no means certain that she was.
It was the historian Giorgio Vasari who identified Francesco'south wife every bit the sitter. However, Vasari was describing a painting that he had never seen, all the same his description is the only written business relationship that exists.
If Francesco did commission the work he never received information technology, Leonardo kept the painting making changes intermittently over several years.
Other notable names include Isabelle d' Este the wife of Francesco II Gonzaga, Marquess of Mantua. Leonardo had completed a pastel cartoon of Isabelle although she is fatigued in profile her hands are in a like position to those of Mona Lisa as is her torso, although reversed it does resemble that of Lisa.
Other possibilities are Costanza d'Avalos, Duchess of Francavilla, or the wife of Louis XII who was Leonardo's patron at the time.
The Mona Lisa is placed one-half-length seated on a balcony with a muted blue-green mural vista backside her. This was unusual, portraits of the time rarely if e'er included a background. Even Leonardo's previous exercises such as The Lady with an Ermine was placed in front end of a none descript dark background.
Lisa'southward face is built from a series of tonal layers of paint expertly crafted by Leonardo. The creative person has created an image of cryptic beauty. The features highlight the subtle nature of Leonardo's sfumato furnishings.
It does not explicate the fascination with the Mona Lisa's smile, or the speculation and theories surrounding the painting. According to Vasari, Leonardo employed singers and bell ringers and other entertainers to keep Lisa amused while he was painting her, hence the smiling. Others have claimed that the smile evolved during the years that Leonardo reworked the painting.
We will probably never really know the truth about any of these claims and in a way it does not thing, we need just to report the details of the painting to be assured of Leonardo'southward genius.
Leonardo has achieved his masterpiece by leaving something to the imagination. The outline is not firmly drawn and is softened most merging with the background allowing the colours to mellow. This harmonious invention of Leonardo'south has been given the Italian proper name 'sfumato'.
Leonardo knew more about the workings of nature than anyone who had lived before him and that the center does not come across everything with crystal clarity at every glance.
The Mona Lisa can look dissimilar each time we look at her. Our optics fill up in the vagueness of her face and the image is harmonised by the skill of an artist and scientist who has fully utilised his knowledge to produce a masterpiece of Western Fine art.
The Mona Lisa, Copies and Claims!
Isleworth Mona Lisa
This is the latest offer claiming to be a Leonardo! (There have been many, come across the Salvator Mundi .)
The painting above, the and so-called Isleworth Mona Lisa, is claimed to be an earlier version painted by Leonardo. The fact that information technology displays none of the subtlety of Leonardo's style and is painted on canvass (da Vinci painted on wooden panels) has not stopped the vested interest bandwagon from claiming that it was, at to the lowest degree in role, painted past da Vinci.
A blog past Jonathan Jones of the Guardian cleverly expands on the contradictions that the media identify on the nifty artist'due south work.
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Source: https://www.italian-renaissance-art.com/Mona-Lisa.html
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